Assignment writing: Renaissance Paintings in Europe

Published under category: Custom Writing | 2015-02-04 12:07:21 UTC

Context: Renaissance

What was the nature of art and architecture during renaissance? Who will do my assignment on renaissance? What was the state or painting art in renaissance era? Renaissance assignments are some of the most common papers for arts and humanities students. Similarly, history students will study renaissance comprehensively and their assignments are likely to include the political aspect of renaissance. Regardless of the approach your instructor uses to issue assignments you can always order any paper from our assignment writing service. Apart from offering cheap renaissance assignment writing services we deliver doctoral level papers as well as high school coursework. Our assignment writers are reliable and definitely worth trying out. The following is an overview of painting in renaissance era in Europe. What was the most significant aspect of renaissance? During the renaissance period, art was a chief element that marked rebirth and revolution of thought. Renaissance art chiefly meant painting, sculpture, and architecture. As medieval art served a religious function, renaissance artists continued also to utilize religious themes, although the shattered the dominance of religion over art by shifting attention from heaven to the natural world and to the human being. The renaissance artists depicted the human qualities of men and women and celebrated the beauty and grace of the human form. The reference was less to the other world and more to this world, and people were treated as creatures who found their spiritual destiny as they fulfilled their humanness. Renaissance artists also developed a new conception of visual space, which resulted in a naturalistic, three dimensional rendering of the real world. It was a quantitative space in which the artist, employing reason and mathematics, portrayed the essential form of the object in perspective, as it would appear to the human eye. Therefore, at its most distinctive, renaissance art represents a conscious revolt against the art of the middle ages, and this revolt produced revolutionary discoveries that served as the foundation of Western art up to the twentieth century. Renaissance artists were dedicated to represent things as they are, or at least as they are seen to be. Part of the inspiration for this was also classical. The ancient ideal of beauty was the beautiful nude. Renaissance admiration for ancient art meant that for the first time since the fall of Rome artists studied anatomy; they learned to draw the human form by having models pose for them, a practice fundamental to artistic training to this day. Who were some of the major contributors to renaissance painting? The first major contributor to renaissance paintings was the Florentine painter Giotto. Borrowing from Byzantine painting, he created figures delineated by alterations in light and shade. Actually, in art as in literature, the Florentines played a leading role in this esthetic transformation, as they more than anyone else were responsible for the artists saw and drew for centuries and for the way most Western people still see or want to see. Giotto also developed several techniques of perspective, representing three dimensional figures and objects on two dimensional surfaces so that they appear to stand in space. Giotto’s best works were frescoes, wall paintings painted while the plaster was still wet, or fresh. Lionized in his own day, Giotto had no immediate successors, and his ideas were not taken up and developed further for almost a century. By early fifteenth century, the revival of classical learning had begun in earnest. In Florence, it had its artistic counterpart among a circle of architects, painters, and sculptors who sought to revive classical art. The leader of this group was an architect known as Filippo Brunelleschi (1377-1446). He designed churches reflecting classical models. To him we also owe a scientific discovery of the first importance in the history of art: the rules of perspective. Giotto had revived the ancient technique of foreshortening; Brunelleschi completed the discovery by rendering perspective in mathematical terms. His devotion to ancient models and his new tool of mathematical perspective set the stage for the further development of renaissance painting. Brunelleschi’s young Florentine friend Masaccio (1401-1428) took up the challenge. Faithful to the new rules of perspective, Masaccio was also concerned with painting statuesque figures and endowing his paintings with a grandeur and simplicity whose inspiration was classical. You can only find a reliable assignment writer specializing in Renaissance art here. Use our assignment writing service and you will have a cause to celebrate.ORDER PLAGIARISM FREE PAPER